2021
Evanescent Evidence
Video [4']
Synthrumental Sojourn
6 violins, 3 violas, 3 violincelli, 2 double bass [’23]
2020
Coronialus
2-track electroacoustic [4¾’], [5½’], [7¼’]
Fantasy Prelude Miscibly Infused
piano [3']
No.V: Three Bagatelles
piano
[1] quarantasette estratti da un vicolo ludofilo [2’]
[2] Klavierstück für Luise [2’], 1975 (also part of Reidosklopädie? Enzykloskoport?)
[3] Fantasy Prelude Miscibly Infused [3’]
Unusonu – with Clint Otto Basque!
video [1']
2019
quarantasette estratti da un vicolo ludofilo
piano 2 hands or 4 hands [2']
2016
Five Dodecaphonic Pieces
for 12-track, 8-track or 4-track electroacoustic
[1] 13C2~ (pronounced “two of thirteen sine”) [9’], 2016
[2] 13C2=∫ヒφn (pronounced “two of thirteen Stephan”) [9’], 2016
[3] 13C2≈0 (pronounced “two of thirteen almost zero”) [9’], 2017
[4] 13C2=Θ (pronounced “two of thirteen stridulant”) [9’], 2017
[5] 13C2=[♄] (pronounced “two of thirteen Chronometry”) [9’], 2017
2015
…until…, version 10
for double bass [17']
)ertur(
flute, clarinet, violin, violoncello, piano and video [16']
Amnon, who led it
tenor saxophone, violoncello, Hammond organ, piano four hands [1']
2013
Für Eleath
piano [2']
Song of DanieL
piano / player piano [2-5']
Songbird’s Hour Octasected
8-track electroacoustic [8']
2012
Für Simon Jonassohn-Stein
MIDI-controlled pipe organ [5']
Two Fugues on the Name Cage after No.5 and No.6 of ,,Six Fugues on the Name Bach” Op. 60 by Robert Schumann
MIDI player piano [2', 4']
↓cf 1973 ↓cf 1992
2011
Songbird’s Hour
mono electroacoustic installation [60']
2010
Pinball Play
for four Bohlen-Pierce clarinets [9']
vinte e cinco anéis
flute, clarinet, violin, violoncello, piano [1']
2009
Tischgeistwalzer
for 2 pianos (also for player piano) [1']
2008
Four ISIS Studies:
4-track electroacoustic
[1] Für Gimik: Vortrag über ISIS, [2’]
[2] Eleven Steps in Staying a Kingly Dream, [1’]
[3] Untitled/Oil on Metal, Wood, [1’]
[4] Ceci n’est pas une œuvre d’art, [1’]
resonancia flautomática
melody instrument, live computer electronics [8']
2007
Approximating Pi
2-, 4-, 8- or 16- track electroacoustic (also with soprano saxophone) [various versions 8’, 10', 15’, 74’]
2006
Septima de facto
flute, clarinet, trumpet, viola/violin, cello, piano, percussion (also for player piano or other music machines) [7']
2005
2004
3:4:5 (Reading nimbly through Ives’ Three-Page Sonata and Schoenberg’s Five Piano Pieces)
1-2 pianists, (also for player piano) [3']
Glockenspiel für Jens
6 percussion (also for carillon or for 6 singers: soprano, alto, 3tenors, baritone) [2']
2003
Ohrgeige
8 piccolo, 16 C-flutes, 4 alto flutes, 4 bass flutes [2']
2002
Le loup en pierre
organ, Van-Hagerbeer-organ (mean-tone ¼-comma A=419) + Thomas-Hill-organ (12 eq.temp. A=440) [7']
Sachets des Ciseaux Insatiables
flute, clarinet, trumpet, violin/viola, piano, percussion [9']
(new versions of sections from Im Januar am Nil, Les Ciseaux de Tom Johnson, Four Identical Pieces)
2001
Felle Hymnus Van Verre
2 French horns, 2 trumpets, 2 trombones, tuba, timpani [2']
(section of Jubileum-Fanfare [9’], a collaboration with Louis Andriessen, Gilius van Bergeijk, Martijn Padding, Diderik Wagenaar)
Zero Crossing
(Radio Play), 2- or 4-track (optionally with video) [41']
1999
‘…or a cherish’d bard…’
piano [8']
1998
Kuri Suti Bekar
piano / player piano / Video [3']
Les Ciseaux de Tom Johnson
electric guitar, soprano saxophone (or alto flute), double bass, (also for clarinet vibraphone, viola, double bass) (and also for piano trio) [3']
1997
36 Skandierte Gesichtspunkte
piano / player piano [7']
1995
…until…, version 9
for 2-track electroacoustic [3']
Amaludus
(live computer installation), 2 computers, 2 MIDI player pianos [0/0’]
Estudio Siete: A Metamorphosis of Oskar Fischinger’s Study No. 6 as well as a Short Paraphrase of Conlon Nancarrow’s Study No. 6
player piano (with video), also for flute trio or flute, clarinet, trumpet [2']
Four Identical Pieces
piano [12']
(also version of [3] as Section III of Sachets des Ciseaux Insatiables)
[1] Helmut, un morceau lourd en forme de poire [3’]
[2] Des nus descendant une échelle [3’]
[3] Elle l’a vue, elle l’a bue, la pomme insatiable [3’]
[4] Chronique tangentielle 36°52’12” [3’]
1994
Farting Quietly in Church – Vortrag über Haiku
(music theatre), baritone, 6 computers, MIDI player piano [40']
Qu’a lieu d’en bas
piano [9']
[1] clair au debut, piano 2 hands [3’]
[2] clair de l’une fois, piano 4 hands [1’]
[3] clair d’eux même, piano 6 hands [2’]
[4] clair triomphalement, piano 8 hands [3’]
1992
Fugues on the Name CAGE after No.5 and 6 of ,,Six Fugues on the Name BACH” Op. 60 by Robert Schumann,
midi keyboard computer, player piano [10']
↓cf 1973, ↑cf 2012
Talkmaster’s Choice
(live computer installation), 4 computers [18’]
also 2-track version as:
fLvXv$: A Time and Attention Study, or His Master’s Voice, 2-track electroacoustic [17’]
1991
(stopt niet in De Vink)
2-track electroacoustic [17']
1990
Bachanal for Jim Tenney and Tom Johnson
piano [1']
Otodeblu
player piano / piano 4 hands, (also for flute trio or flute, clarinet, trumpet) [4']
1989
Orchideæ Ordinariæ or the Twelfth Root of Truth
large orchestra and solo piano [37']
(two movements may be performed separately: Pandora, L’Orchidée d’argent)
Pandora, Piano [8’] (movement of Orchideæ Ordinariæ or the Twelfth Root of Truth for Orchestra)
L’Orchidée d’argent, piano [1’] (movement of Orchideæ Ordinariæ or the Twelfth Root of Truth for Orchestra)
Pandora
piano / player piano [8']
(movement of Orchideæ Ordinariæ or the Twelfth Root of Truth for Orchestra)
1988
Fruitti d’Amore
(music theatre), cello, live electronics, video [29']
[1] con fuoco alla Giordano [16’] including the weather [3’]
[2] musica alla vostra commodità [9’]
[3] uccelli ungheresi (with video) [4’]
1987
documissa ’87
mixed chorus, 2-track computer-generated sounds [30']
I. Fünf Hymnen: Jauchzt, alle Lande / Ehr sei dem Vater / Herre Gott, erbarme dich / Ehre sei Gott in der Höhe / Wunderbarer König
II. Die Schöpfung: Musik zur Lesung / Musik zur Predigt – Sieben Betrachtungen
III. Coda: Schlusshymne – Du meine Seele singe / Musik zum Segen
1986
“Spright the Diner” by Nib Wryter
violin, cello, piano [18’]
Variazioni e un piano meccanico
pianist with player piano [24’]
1985
Relationships for Melody Instruments and Drone, version 6
for bass clarinet, electric guitar, computer-generated synthesizer, percussion [~10’]
1984
Im Januar am Nil
2 soprano saxophones (1st+clarinet, bass clarinet), 4 violins, 2 celli, double bass, piano, percussion [25’]
Relationships for Melody Instruments, version 5
for player piano [~ 15’]
Textmusic, version 15
piano [2’]
after a text by C.Barlow, (embedded in chamber work Im Januar am Nil)
1983
Tatsachen
five pieces of music theatre
[1] Xylophony I, percussion [10’]
[2] Vorbeugung, two actors [2’]
[3] Performation, five or more actors [~10’]
[4] Variations, female cellist, actress [4’] – version of variations [1973] (cf.↑)
[5] In Memoriam SA, two pianists, page turner [6’]
1981
…until…, version 7
for guitar [~ 12’]
…until…, version 8
for piccolo [~ 10’]
1981
violin, cello, piano [8']
1980
CCU
(radio play), 8-track, 4-track or 2-track electroacoustic [48']
Deutscher Sang
(radio play), 2-track electroacoustic [30']
1979
1977
…until…, version 6
for clarinet [15+']
1976
Reidosklopädie? Enzykloskoport?
(radio play), 2-track electroacoustic [87']
Some parts can be performed separately.
Relationships, version 3
for 2 vibraphones [20']
Relationships, version 4
for 2 pianos [64']
1974
…until…, version 3
Sarangi, Tabla Lahara [~ 12’]
…until…, version 4
for jazz ensemble [~ 18’]
…until…, version 5
for piano [5’]
Raag’ Barawhan
for players of North-Indian classical tradition [0/0’]
Relationships for Melody Instruments, version 1
2 keyboard instruments or piano trio or ensemble [7']
Relationships for Melody Instruments, version 2
for 3 players of North-Indian classical tradition [~ 15’]
1973
…until…, version 2
woodwind trio, violin or viola [~ 20’]
Fugue on the Name CAGE after No.5 of ,,Six Fugues on the Name BACH” Op. 60 by Robert Schumann
any keyboard instrument [2']
Textmusic, version 4
piano / player piano [3']
after a text by C. Barlow
(16 versions in all, 1972-84, Nos. 2, 3, 5, 6, 9, 12-14, 16 by other composers)
Textmusic, version 7
organ [3']
after Psalm 150
(16 versions in all, 1972-84, Nos. 2, 3, 5, 6, 9, 12-14, 16 by other composers)
Textmusic, version 8
piano [10']
after a text by W.Ostermann
(16 versions in all, 1972-84, Nos. 2, 3, 5, 6, 9, 12-14, 16 by other composers)
1972
…until…, version 1
ensemble of low instruments [15+']
Sinophony II
8-track electroacoustic [25']
Stochroma
piano [→ ∞]
1971
Cheltrovype (German, Tschelpowisch)
cello, trombone, vibraphone, 3 percussion [22']
Zyklus, (1970, third part of Cheltrovype)/ version 1974 for two parallel Tablalahara (two tabla player, two melodie Instruments)
Textmusic, version 1
piano [20']
after a text by C. Barlow
(16 versions in all, 1972-84, Nos. 2, 3, 5, 6, 9, 12-14, 16 by other composers)
1970
Sinophony I
4-track electroacoustic [11']
1968
Haiku
baritone, clarinet [4']
Three Owen Songs
baritone, piano [8']
Twelve Variations for ‘Klavier’ and ‘Reivalk’
piano, 2-track fixed media [4']
Zwei Gesänge
mezzo-soprano, piano [4']
1967
Serenade
flute, oboe, clarinet, bassoon, string quartet, double bass [16']
Canonzetta
violin or flute and piano, (also versions for Piano Trio or String Quartet) [3']
Dirge f. St. Cedifo Homunus
soprano, alto, tenor, bass voices
Missa Brevis pro Unitatis Ecclesiæ «ut sint unum»
mixed chorus [2']
1966
Eleven Pieces
clarinet, bassoon [4']
Piano Suite
piano [5']
String Quartet No.2
two violins, viola, violoncello [15']
Trio
mandolin, violin, piano [3']
1965
Divertimento for Winds
oboe, clarinet, French horn, bassoon [6']
Piano Concerto No.1 in D
piano, orchestra [33']
1961
String Quartet No.1 in G
two violins, viola, violoncello [15']
Orchestra
Orchideæ Ordinariæ or the Twelfth Root of Truth
1989, large orchestra and solo piano [37']
(two movements may be performed separately: Pandora, L’Orchidée d’argent)
Pandora, Piano [8’] (movement of Orchideæ Ordinariæ or the Twelfth Root of Truth for Orchestra)
L’Orchidée d’argent, piano [1’] (movement of Orchideæ Ordinariæ or the Twelfth Root of Truth for Orchestra)
Piano Concerto No.1 in D
1965, piano, orchestra [33']
Chamber Music
Synthrumental Sojourn
2021, 6 violins, 3 violas, 3 violincelli, 2 double bass [’23]
Septima de facto
2006, flute, clarinet, trumpet, viola/violin, cello, piano, percussion (also for player piano or other music machines) [7']
Glockenspiel für Jens
2004, 6 percussion (also for carillon or for 6 singers: soprano, alto, 3tenors, baritone) [2']
Ohrgeige
2003, 8 piccolo, 16 C-flutes, 4 alto flutes, 4 bass flutes [2']
Sachets des Ciseaux Insatiables
2002, flute, clarinet, trumpet, violin/viola, piano, percussion [9']
(new versions of sections from Im Januar am Nil, Les Ciseaux de Tom Johnson, Four Identical Pieces)
Felle Hymnus Van Verre
2001, 2 French horns, 2 trumpets, 2 trombones, tuba, timpani [2']
(section of Jubileum-Fanfare [9’], a collaboration with Louis Andriessen, Gilius van Bergeijk, Martijn Padding, Diderik Wagenaar)
Im Januar am Nil
1984, 2 soprano saxophones (1st+clarinet, bass clarinet), 4 violins, 2 celli, double bass, piano, percussion [25’]
…until…, version 4
1974, for jazz ensemble [~ 18’]
Relationships for Melody Instruments, version 1
1974, 2 keyboard instruments or piano trio or ensemble [7']
…until…, version 1
1972, ensemble of low instruments [15+']
Cheltrovype (German, Tschelpowisch)
1971, cello, trombone, vibraphone, 3 percussion [22']
Zyklus, (1970, third part of Cheltrovype)/ version 1974 for two parallel Tablalahara (two tabla player, two melodie Instruments)
Serenade
1967, flute, oboe, clarinet, bassoon, string quartet, double bass [16']
chamber music
)ertur(
2015, flute, clarinet, violin, violoncello, piano and video [16']
Amnon, who led it
2015, tenor saxophone, violoncello, Hammond organ, piano four hands [1']
Pinball Play
2010, for four Bohlen-Pierce clarinets [9']
vinte e cinco anéis
2010, flute, clarinet, violin, violoncello, piano [1']
Les Ciseaux de Tom Johnson
1998, electric guitar, soprano saxophone (or alto flute), double bass, (also for clarinet vibraphone, viola, double bass) (and also for piano trio) [3']
Estudio Siete: A Metamorphosis of Oskar Fischinger’s Study No. 6 as well as a Short Paraphrase of Conlon Nancarrow’s Study No. 6
1995, player piano (with video), also for flute trio or flute, clarinet, trumpet [2']
Otodeblu
1990, player piano / piano 4 hands, (also for flute trio or flute, clarinet, trumpet) [4']
“Spright the Diner” by Nib Wryter
1986, violin, cello, piano [18’]
Relationships for Melody Instruments and Drone, version 6
1985, for bass clarinet, electric guitar, computer-generated synthesizer, percussion [~10’]
1981
1981, violin, cello, piano [8']
Relationships, version 3
1976, for 2 vibraphones [20']
Relationships, version 4
1976, for 2 pianos [64']
Canonzetta
1967, violin or flute and piano, (also versions for Piano Trio or String Quartet) [3']
Eleven Pieces
1966, clarinet, bassoon [4']
String Quartet No.2
1966, two violins, viola, violoncello [15']
Trio
1966, mandolin, violin, piano [3']
Divertimento for Winds
1965, oboe, clarinet, French horn, bassoon [6']
String Quartet No.1 in G
1961, two violins, viola, violoncello [15']
Solo Music
Fantasy Prelude Miscibly Infused
2020, piano [3']
No.V: Three Bagatelles
2020, piano
[1] quarantasette estratti da un vicolo ludofilo [2’]
[2] Klavierstück für Luise [2’], 1975 (also part of Reidosklopädie? Enzykloskoport?)
[3] Fantasy Prelude Miscibly Infused [3’]
quarantasette estratti da un vicolo ludofilo
2019, piano 2 hands or 4 hands [2']
…until…, version 10
2015, for double bass [17']
Für Eleath
2013, piano [2']
KQJZ: waveform ambidextrously uncopyrightable
2013, piano [3']
Song of DanieL
2013, piano / player piano [2-5']
resonancia flautomática
2008, melody instrument, live computer electronics [8']
‘…or a cherish’d bard…’
1999, piano [8']
Fugues on the Name CAGE after No.5 and 6 of ,,Six Fugues on the Name BACH” Op. 60 by Robert Schumann,
1992, midi keyboard computer, player piano [10']
↓cf 1973, ↑cf 2012
Bachanal for Jim Tenney and Tom Johnson
1990, piano [1']
Otodeblu
1990, player piano / piano 4 hands, (also for flute trio or flute, clarinet, trumpet) [4']
Pandora
1989, piano / player piano [8']
(movement of Orchideæ Ordinariæ or the Twelfth Root of Truth for Orchestra)
Variazioni e un piano meccanico
1986, pianist with player piano [24’]
Relationships for Melody Instruments, version 5
1984, for player piano [~ 15’]
Textmusic, version 15
1984, piano [2’]
after a text by C.Barlow, (embedded in chamber work Im Januar am Nil)
Tatsachen
1983, five pieces of music theatre
[1] Xylophony I, percussion [10’]
[2] Vorbeugung, two actors [2’]
[3] Performation, five or more actors [~10’]
[4] Variations, female cellist, actress [4’] – version of variations [1973] (cf.↑)
[5] In Memoriam SA, two pianists, page turner [6’]
…until…, version 7
1981, for guitar [~ 12’]
…until…, version 8
1981, for piccolo [~ 10’]
…until…, version 6
1977, for clarinet [15+']
…until…, version 5
1974, for piano [5’]
…until…, version 2
1973, woodwind trio, violin or viola [~ 20’]
Fantasia quasi una sonata con «Mantra» di Stockhausen
1973, piano [20']
Fugue on the Name CAGE after No.5 of ,,Six Fugues on the Name BACH” Op. 60 by Robert Schumann
1973, any keyboard instrument [2']
Textmusic, version 4
1973, piano / player piano [3']
after a text by C. Barlow
(16 versions in all, 1972-84, Nos. 2, 3, 5, 6, 9, 12-14, 16 by other composers)
Textmusic, version 7
1973, organ [3']
after Psalm 150
(16 versions in all, 1972-84, Nos. 2, 3, 5, 6, 9, 12-14, 16 by other composers)
Textmusic, version 8
1973, piano [10']
after a text by W.Ostermann
(16 versions in all, 1972-84, Nos. 2, 3, 5, 6, 9, 12-14, 16 by other composers)
Stochroma
1972, piano [→ ∞]
Textmusic, version 1
1971, piano [20']
after a text by C. Barlow
(16 versions in all, 1972-84, Nos. 2, 3, 5, 6, 9, 12-14, 16 by other composers)
Piano Suite
1966, piano [5']
Piano Music
Fantasy Prelude Miscibly Infused
2020, piano [3']
No.V: Three Bagatelles
2020, piano
[1] quarantasette estratti da un vicolo ludofilo [2’]
[2] Klavierstück für Luise [2’], 1975 (also part of Reidosklopädie? Enzykloskoport?)
[3] Fantasy Prelude Miscibly Infused [3’]
quarantasette estratti da un vicolo ludofilo
2019, piano 2 hands or 4 hands [2']
Für Eleath
2013, piano [2']
KQJZ: waveform ambidextrously uncopyrightable
2013, piano [3']
Song of DanieL
2013, piano / player piano [2-5']
Two Fugues on the Name Cage after No.5 and No.6 of ,,Six Fugues on the Name Bach” Op. 60 by Robert Schumann
2012, MIDI player piano [2', 4']
↓cf 1973 ↓cf 1992
Tischgeistwalzer
2009, for 2 pianos (also for player piano) [1']
3:4:5 (Reading nimbly through Ives’ Three-Page Sonata and Schoenberg’s Five Piano Pieces)
2004, 1-2 pianists, (also for player piano) [3']
‘…or a cherish’d bard…’
1999, piano [8']
Kuri Suti Bekar
1998, piano / player piano / Video [3']
36 Skandierte Gesichtspunkte
1997, piano / player piano [7']
Amaludus
1995, (live computer installation), 2 computers, 2 MIDI player pianos [0/0’]
Four Identical Pieces
1995, piano [12']
(also version of [3] as Section III of Sachets des Ciseaux Insatiables)
[1] Helmut, un morceau lourd en forme de poire [3’]
[2] Des nus descendant une échelle [3’]
[3] Elle l’a vue, elle l’a bue, la pomme insatiable [3’]
[4] Chronique tangentielle 36°52’12” [3’]
Qu’a lieu d’en bas
1994, piano [9']
[1] clair au debut, piano 2 hands [3’]
[2] clair de l’une fois, piano 4 hands [1’]
[3] clair d’eux même, piano 6 hands [2’]
[4] clair triomphalement, piano 8 hands [3’]
Bachanal for Jim Tenney and Tom Johnson
1990, piano [1']
Otodeblu
1990, player piano / piano 4 hands, (also for flute trio or flute, clarinet, trumpet) [4']
Orchideæ Ordinariæ or the Twelfth Root of Truth
1989, large orchestra and solo piano [37']
(two movements may be performed separately: Pandora, L’Orchidée d’argent)
Pandora, Piano [8’] (movement of Orchideæ Ordinariæ or the Twelfth Root of Truth for Orchestra)
L’Orchidée d’argent, piano [1’] (movement of Orchideæ Ordinariæ or the Twelfth Root of Truth for Orchestra)
Pandora
1989, piano / player piano [8']
(movement of Orchideæ Ordinariæ or the Twelfth Root of Truth for Orchestra)
Variazioni e un piano meccanico
1986, pianist with player piano [24’]
Relationships for Melody Instruments, version 5
1984, for player piano [~ 15’]
Textmusic, version 15
1984, piano [2’]
after a text by C.Barlow, (embedded in chamber work Im Januar am Nil)
Relationships, version 4
1976, for 2 pianos [64']
…until…, version 5
1974, for piano [5’]
Relationships for Melody Instruments, version 1
1974, 2 keyboard instruments or piano trio or ensemble [7']
Fantasia quasi una sonata con «Mantra» di Stockhausen
1973, piano [20']
Fugue on the Name CAGE after No.5 of ,,Six Fugues on the Name BACH” Op. 60 by Robert Schumann
1973, any keyboard instrument [2']
Textmusic, version 4
1973, piano / player piano [3']
after a text by C. Barlow
(16 versions in all, 1972-84, Nos. 2, 3, 5, 6, 9, 12-14, 16 by other composers)
Textmusic, version 8
1973, piano [10']
after a text by W.Ostermann
(16 versions in all, 1972-84, Nos. 2, 3, 5, 6, 9, 12-14, 16 by other composers)
Stochroma
1972, piano [→ ∞]
Textmusic, version 1
1971, piano [20']
after a text by C. Barlow
(16 versions in all, 1972-84, Nos. 2, 3, 5, 6, 9, 12-14, 16 by other composers)
Three Owen Songs
1968, baritone, piano [8']
Twelve Variations for ‘Klavier’ and ‘Reivalk’
1968, piano, 2-track fixed media [4']
Zwei Gesänge
1968, mezzo-soprano, piano [4']
Piano Suite
1966, piano [5']
Player Piano Music
Song of DanieL
2013, piano / player piano [2-5']
Two Fugues on the Name Cage after No.5 and No.6 of ,,Six Fugues on the Name Bach” Op. 60 by Robert Schumann
2012, MIDI player piano [2', 4']
↓cf 1973 ↓cf 1992
Tischgeistwalzer
2009, for 2 pianos (also for player piano) [1']
Septima de facto
2006, flute, clarinet, trumpet, viola/violin, cello, piano, percussion (also for player piano or other music machines) [7']
3:4:5 (Reading nimbly through Ives’ Three-Page Sonata and Schoenberg’s Five Piano Pieces)
2004, 1-2 pianists, (also for player piano) [3']
‘…or a cherish’d bard…’
1999, piano [8']
Kuri Suti Bekar
1998, piano / player piano / Video [3']
36 Skandierte Gesichtspunkte
1997, piano / player piano [7']
Amaludus
1995, (live computer installation), 2 computers, 2 MIDI player pianos [0/0’]
Estudio Siete: A Metamorphosis of Oskar Fischinger’s Study No. 6 as well as a Short Paraphrase of Conlon Nancarrow’s Study No. 6
1995, player piano (with video), also for flute trio or flute, clarinet, trumpet [2']
Fugues on the Name CAGE after No.5 and 6 of ,,Six Fugues on the Name BACH” Op. 60 by Robert Schumann,
1992, midi keyboard computer, player piano [10']
↓cf 1973, ↑cf 2012
Otodeblu
1990, player piano / piano 4 hands, (also for flute trio or flute, clarinet, trumpet) [4']
Pandora
1989, piano / player piano [8']
(movement of Orchideæ Ordinariæ or the Twelfth Root of Truth for Orchestra)
Variazioni e un piano meccanico
1986, pianist with player piano [24’]
Relationships for Melody Instruments, version 5
1984, for player piano [~ 15’]
Fugue on the Name CAGE after No.5 of ,,Six Fugues on the Name BACH” Op. 60 by Robert Schumann
1973, any keyboard instrument [2']
Textmusic, version 4
1973, piano / player piano [3']
after a text by C. Barlow
(16 versions in all, 1972-84, Nos. 2, 3, 5, 6, 9, 12-14, 16 by other composers)
Electroacoustic Music
Coronialus
2020, 2-track electroacoustic [4¾’], [5½’], [7¼’]
Five Dodecaphonic Pieces
2016 – 2017, for 12-track, 8-track or 4-track electroacoustic
[1] 13C2~ (pronounced “two of thirteen sine”) [9’], 2016
[2] 13C2=∫ヒφn (pronounced “two of thirteen Stephan”) [9’], 2016
[3] 13C2≈0 (pronounced “two of thirteen almost zero”) [9’], 2017
[4] 13C2=Θ (pronounced “two of thirteen stridulant”) [9’], 2017
[5] 13C2=[♄] (pronounced “two of thirteen Chronometry”) [9’], 2017
Songbird’s Hour Octasected
2013, 8-track electroacoustic [8']
Songbird’s Hour
2011, mono electroacoustic installation [60']
Four ISIS Studies:
2008, 4-track electroacoustic
[1] Für Gimik: Vortrag über ISIS, [2’]
[2] Eleven Steps in Staying a Kingly Dream, [1’]
[3] Untitled/Oil on Metal, Wood, [1’]
[4] Ceci n’est pas une œuvre d’art, [1’]
resonancia flautomática
2008, melody instrument, live computer electronics [8']
Approximating Pi
2007, 2-, 4-, 8- or 16- track electroacoustic (also with soprano saxophone) [various versions 8’, 10', 15’, 74’]
Zero Crossing
2001, (Radio Play), 2- or 4-track (optionally with video) [41']
…until…, version 9
1995, for 2-track electroacoustic [3']
Fugues on the Name CAGE after No.5 and 6 of ,,Six Fugues on the Name BACH” Op. 60 by Robert Schumann,
1992, midi keyboard computer, player piano [10']
↓cf 1973, ↑cf 2012
Talkmaster’s Choice
1992, (live computer installation), 4 computers [18’]
also 2-track version as:
fLvXv$: A Time and Attention Study, or His Master’s Voice, 2-track electroacoustic [17’]
(stopt niet in De Vink)
1991, 2-track electroacoustic [17']
Fruitti d’Amore
1988, (music theatre), cello, live electronics, video [29']
[1] con fuoco alla Giordano [16’] including the weather [3’]
[2] musica alla vostra commodità [9’]
[3] uccelli ungheresi (with video) [4’]
documissa ’87
1987, mixed chorus, 2-track computer-generated sounds [30']
I. Fünf Hymnen: Jauchzt, alle Lande / Ehr sei dem Vater / Herre Gott, erbarme dich / Ehre sei Gott in der Höhe / Wunderbarer König
II. Die Schöpfung: Musik zur Lesung / Musik zur Predigt – Sieben Betrachtungen
III. Coda: Schlusshymne – Du meine Seele singe / Musik zum Segen
CCU
1980, (radio play), 8-track, 4-track or 2-track electroacoustic [48']
Deutscher Sang
1980 – 1982, (radio play), 2-track electroacoustic [30']
Reidosklopädie? Enzykloskoport?
1976, (radio play), 2-track electroacoustic [87']
Some parts can be performed separately.
Sinophony II
1972, 8-track electroacoustic [25']
Sinophony I
1970, 4-track electroacoustic [11']
Vocal / Choral Music
Glockenspiel für Jens
2004, 6 percussion (also for carillon or for 6 singers: soprano, alto, 3tenors, baritone) [2']
documissa ’87
1987, mixed chorus, 2-track computer-generated sounds [30']
I. Fünf Hymnen: Jauchzt, alle Lande / Ehr sei dem Vater / Herre Gott, erbarme dich / Ehre sei Gott in der Höhe / Wunderbarer König
II. Die Schöpfung: Musik zur Lesung / Musik zur Predigt – Sieben Betrachtungen
III. Coda: Schlusshymne – Du meine Seele singe / Musik zum Segen
Deutscher Sang
1980 – 1982, (radio play), 2-track electroacoustic [30']
Reidosklopädie? Enzykloskoport?
1976, (radio play), 2-track electroacoustic [87']
Some parts can be performed separately.
Haiku
1968, baritone, clarinet [4']
Three Owen Songs
1968, baritone, piano [8']
Zwei Gesänge
1968, mezzo-soprano, piano [4']
Dirge f. St. Cedifo Homunus
1967, soprano, alto, tenor, bass voices
Missa Brevis pro Unitatis Ecclesiæ «ut sint unum»
1967, mixed chorus [2']
Organ
Für Simon Jonassohn-Stein
2012, MIDI-controlled pipe organ [5']
Le loup en pierre
2002, organ, Van-Hagerbeer-organ (mean-tone ¼-comma A=419) + Thomas-Hill-organ (12 eq.temp. A=440) [7']
Fugue on the Name CAGE after No.5 of ,,Six Fugues on the Name BACH” Op. 60 by Robert Schumann
1973, any keyboard instrument [2']
Textmusic, version 7
1973, organ [3']
after Psalm 150
(16 versions in all, 1972-84, Nos. 2, 3, 5, 6, 9, 12-14, 16 by other composers)
North-Indian
…until…, version 3
1974, Sarangi, Tabla Lahara [~ 12’]
Raag’ Barawhan
1974, for players of North-Indian classical tradition [0/0’]
Relationships for Melody Instruments, version 2
1974, for 3 players of North-Indian classical tradition [~ 15’]
Music Theatre
Farting Quietly in Church – Vortrag über Haiku
1994, (music theatre), baritone, 6 computers, MIDI player piano [40']
Fruitti d’Amore
1988, (music theatre), cello, live electronics, video [29']
[1] con fuoco alla Giordano [16’] including the weather [3’]
[2] musica alla vostra commodità [9’]
[3] uccelli ungheresi (with video) [4’]
Tatsachen
1983, five pieces of music theatre
[1] Xylophony I, percussion [10’]
[2] Vorbeugung, two actors [2’]
[3] Performation, five or more actors [~10’]
[4] Variations, female cellist, actress [4’] – version of variations [1973] (cf.↑)
[5] In Memoriam SA, two pianists, page turner [6’]
Video
Evanescent Evidence
2021, Video [4']
Unusonu – with Clint Otto Basque!
2020, video [1']
)ertur(
2015, flute, clarinet, violin, violoncello, piano and video [16']
Muntschpmäntsch (in collaboration with Juan Sebastian Lach)
2005, video [11']
Zero Crossing
2001, (Radio Play), 2- or 4-track (optionally with video) [41']
36 Skandierte Gesichtspunkte
1997, piano / player piano [7']
Estudio Siete: A Metamorphosis of Oskar Fischinger’s Study No. 6 as well as a Short Paraphrase of Conlon Nancarrow’s Study No. 6
1995, player piano (with video), also for flute trio or flute, clarinet, trumpet [2']
Fruitti d’Amore
1988, (music theatre), cello, live electronics, video [29']
[1] con fuoco alla Giordano [16’] including the weather [3’]
[2] musica alla vostra commodità [9’]
[3] uccelli ungheresi (with video) [4’]
2016
Five Dodecaphonic Pieces
for 12-track, 8-track or 4-track electroacoustic
[1] 13C2~ (pronounced “two of thirteen sine”) [9’], 2016
[2] 13C2=∫ヒφn (pronounced “two of thirteen Stephan”) [9’], 2016
[3] 13C2≈0 (pronounced “two of thirteen almost zero”) [9’], 2017
[4] 13C2=Θ (pronounced “two of thirteen stridulant”) [9’], 2017
[5] 13C2=[♄] (pronounced “two of thirteen Chronometry”) [9’], 2017
2012
Für Simon Jonassohn-Stein
MIDI-controlled pipe organ [5']
2007
Approximating Pi
2-, 4-, 8- or 16- track electroacoustic (also with soprano saxophone) [various versions 8’, 10', 15’, 74’]
2006
2001
Zero Crossing
(Radio Play), 2- or 4-track (optionally with video) [41']
1995
Estudio Siete: A Metamorphosis of Oskar Fischinger’s Study No. 6 as well as a Short Paraphrase of Conlon Nancarrow’s Study No. 6
player piano (with video), also for flute trio or flute, clarinet, trumpet [2']
1992
Talkmaster’s Choice
(live computer installation), 4 computers [18’]
also 2-track version as:
fLvXv$: A Time and Attention Study, or His Master’s Voice, 2-track electroacoustic [17’]
1990
Otodeblu
player piano / piano 4 hands, (also for flute trio or flute, clarinet, trumpet) [4']
1989
Orchideæ Ordinariæ or the Twelfth Root of Truth
large orchestra and solo piano [37']
(two movements may be performed separately: Pandora, L’Orchidée d’argent)
Pandora, Piano [8’] (movement of Orchideæ Ordinariæ or the Twelfth Root of Truth for Orchestra)
L’Orchidée d’argent, piano [1’] (movement of Orchideæ Ordinariæ or the Twelfth Root of Truth for Orchestra)
1986
Variazioni e un piano meccanico
pianist with player piano [24’]
1985
Relationships for Melody Instruments and Drone, version 6
for bass clarinet, electric guitar, computer-generated synthesizer, percussion [~10’]
1984
Im Januar am Nil
2 soprano saxophones (1st+clarinet, bass clarinet), 4 violins, 2 celli, double bass, piano, percussion [25’]
1981
…until…, version 7
for guitar [~ 12’]
…until…, version 8
for piccolo [~ 10’]
1981
violin, cello, piano [8']
1980
CCU
(radio play), 8-track, 4-track or 2-track electroacoustic [48']
1970
Sinophony I
4-track electroacoustic [11']