By Year |
Ongoing Work
From “Progéthal Percussian for Advanced Beginners”, 6 percussion [20+’]
2013
Für Eleath, piano [2’]
KQJZ – waveform ambidextrously uncopyrightable, piano [3’]
Songbird’s Hour Octasected, 8-track electroacoustic [8’]
Song of DanieL, piano [2-5’]
2012
Für Simon Jonassohn-Stein, MIDI-controlled pipe organ [5’], [score]
Two Fugues on the Name Cage after Fugues #5 and 6 on the Name Bach, Op. 60 by Robert Schumann, MIDI player piano [2’, 4’] – cf.↓1973 [audio #5, #6]
2011
Songbird’s Hour, mono electroacoustic [60’]
2010
Pinball Play, four Bohlen-Pierce clarinets [9’], [audio]
vinte e cinco anéis, flute, clarinet, violin, violoncello, piano [1’], [audio]
2009
Tischgeistwalzer, 2 pianos [1’]
2008
Four ISIS Studies:
[1]
Für Gimik: Vortrag über ISIS, 4-track electroacoustic [2’]
[2]
Eleven Steps in Staying a Kingly Dream, 4-track electroacoustic [1’]
[3]
Untitled/Oil on Metal, Wood, 4-track electroacoustic [1’]
[4]
Ceci n’est pas une œuvre d’art, 4-track electroacoustic [1’]
resonancia flautomática, melody instrument, live computer electronics [8’]
2007
Approximating Pi, 2-, 4-, 8- or 16- track electroacoustic [various versions 8’, 15’, 74’]
2006
Çoğluotobüsişletmesi (version for 4 pianos) [30’]
Ludus Ragalis, piano [20’]; [audio]
Septima de facto, flute, clarinet, trumpet, viola, cello, piano, percussion [7’]; [audio], [score]
(also for player piano or other music machines)
Septima de facto, 2 pianos [7’]
(version of chamber work; also version for player piano, 2006)
2005
Muntschpmäntsch (in collaboration with Juan Sebastian Lach), video [11’]
2004
3:4:5 (Reading nimbly through Ives’ Three-Page Sonata and Schoenberg’s Five Piano Pieces), 1-2 pianists [3’], [audio], [score]
Glockenspiel für Jens, 6 percussion [2’]
(also for carillon or 6 singers: soprano, alto, 3 tenors, baritone)
2002
Le loup en pierre, organ (Van Hagerbeer mean-tone ¼-comma A=419 + Thomas Hill 12 eq.temp. A=440) [7’]; [score], [audio]
Sachets des Ciseaux Insatiables, flute, clarinet, trumpet, violin, viola, piano, percussion [9’]; [audio], [score]
(new versions of sections from Im Januar am Nil, Les Ciseaux de Tom Johnson, Four Identical Pieces)
2001
Felle Hymnus Van Verre, 2 French horns, 2 trumpets, 2 trombones, tuba, timpani [2’]
(section of Jubileum-Fanfare [9’]
, a collaboration with Louis Andriessen, Gilius van Bergeijk, Martijn Padding, Diderik Wagenaar)
Zero Crossing (Radio Play), 2- or 4-track electroacoustic [41’]
1999
‘…or a cherish’d bard…’, piano [8’]
1998
Les Ciseaux de Tom Johnson, electric guitar, soprano saxophone (or alto flute), double bass [3’]
(also for violin, cello, piano)
Kuri Suti Bekar, piano [3’]
Piano Concerto No. 2, «Aux fins des quelques siècles», piano, orchestra [16’]
1997
36 Skandierte Gesichtspunkte, piano [7’]
1995
Amaludus (live computer installation), 2 computers, 2 MIDI player pianos [0/0’]
Estudio Siete: A Metamorphosis of Oskar Fischinger’s Study No. 6 as well as a Short Paraphrase of Conlon Nancarrow’s Study No. 6, player piano [2’]
(with video)
Four Identical Pieces, piano [12’]
(also version of [3]
as Section III of Sachets des Ciseaux Insatiables)
[1]
Helmut, un morceau lourd en forme de poire [3’]
[2]
Des nus descendant une échelle [3’]
[3]
Elle l’a vue, elle l’a bue, la pomme insatiable [3’]
[4]
Chronique tangentielle 36°52’12” [3’]
variations, after Happy Birthday (version for cello) [~2’]
…until… (version for 2-track tape) [3’]
1994
Farting Quietly in Church – Vortrag über Haiku (music theatre), baritone, 6 computers, MIDI player piano [40’]
Qu’a lieu d’en bas, piano [9’]
[1]
clair au debut, piano 2 hands [3’]
[2]
clair de l’une fois, piano 4 hands [1’]
[3]
clair d’eux même, piano 6 hands [2’]
[4]
clair triomphalement, piano 8 hands [3’]
1992
Six Fugues on the Name Cage after Six Fugues on the Name Bach Op. 60 by Robert Schumann, MIDI-keyboard, computer [10’]
– cf.↓1973
Talkmaster’s Choice (live computer installation), 4 computers [18’] (also 2-track version as fLvXv$: A Time and Attention Study, or His Master’s Voice)
1991
(stopt niet in De Vink), 2-track electroacoustic [17’]
1990
Otodeblu, player piano/piano 4 hands [4’]
1989
Orchideæ Ordinariæ or the Twelfth Root of Truth, large orchestra [37’]
(two movements may be performed separately: L’Orchidée d’argent, Pandora – cf. ↓“Piano”)
L’Orchidée d’argent, piano [1’]
(movement of Orchideæ Ordinariæ or the Twelfth Root of Truth for orchestra)
Pandora, piano [8’]
(movement of Orchideæ Ordinariæ or the Twelfth Root of Truth for orchestra)
1988
Fruitti d’Amore (music theatre), cello, live electronics [29’]
, 1988 (cf.↓“Electroacoustic”)
[1]
con fuoco alla Giordano [16’]
– including The Weather [3’]
[2]
musica alla vostra commodità [9’]
[3]
uccelli ungheresi [4’]
(with video)
1987
documissa ’87, mixed chorus, 2-track tape [30’]
I. Fünf Hymnen: Jauchzt, alle Lande / Ehr sei dem Vater / Herre Gott, erbarme Dich / Ehre sei Gott in der Höhe / Wunderbare König
II. Die Schöpfung: Musik zur Lesung / Musik zur Predigt – Sieben Betrachtungen
III. Coda: Schlusshymne – Du, meine Seele, singe / Musik zum Segen
1986
“Spright the Diner” by Nib Wryter, violin, cello, piano [18’] Variazioni e un piano meccanico, pianist with player piano [24’]
1985
Relationships (version for bass clarinet, electric guitar, computer-generated synthesizer, percussion) [~10’]
1984
Im Januar am Nil, 2 soprano saxophones (1st+clarinet, bass clarinet), 4 violins, 2 celli, double bass, piano, percussion [25’]
Relationships (version for player piano) [~15’]
Textmusic, version 15 after a text by C. Barlow, piano [2’]
(embedded in chamber work Im Januar am Nil)
1983
Tatsachen, five pieces of music theatre
[1]
Xylophony I, percussion [10’]
[2]
Vorbeugung, two actors [2’]
[3]
Performation, five or more actors [~10’]
[4]
Variations, female cellist, actress [4’]
– version of variations (cf.↓)
[5]
In Memoriam SA, two pianists, page turner [6’]
variations, after F. Lehar (version for cello) [~12’]
1980
CCU (radio play), 8-track electroacoustic [48’] Deutscher Sang (radio play), 2-track electroacoustic [30’]
1981
1981, violin, cello, piano [8’] …until… (version for guitar) [~12’] …until… (version for piccolo) [~10’]
1977
Textmusic, version 11 after a text by C. Barlow, piano [6’] …until… (version for clarinet) [15+’]
1976
Reidosklopädie? Enzykloskoport? (radio play), 2-track electroacoustic [88’] Relationships (version for 2 pianos) [64’] Relationships (version for 2 vibraphones) [20’]
1979
Çoğluotobüsişletmesi, piano 2 or more hands [30’]
1974
Relationships (version for 2 keyboard instruments or 9 strings or violin, cello, piano) [6’] Relationships (version for 3 North Indian players) [~15’] Textmusic, version 10 after spoken rhythms of Indian Music, two pianos [2’] …until… (version for jazz ensemble) [~18’] …until… (version for piano) [4’]
1973
Fantasia quasi una sonata con «Mantra» di Stockhausen, piano [20’]
Fugue on the Name Cage after No. 5 of Six Fugues on the Name Bach Op. 60 by Robert Schumann, any keyboard instrument [2’]
Textmusic, version 4 after a text by C. Barlow, piano [3’]
Textmusic, version 7 after Psalm 150, organ [3’]
Textmusic, version 8 after a text by W. Ostermann, piano [10’]
…until… (version for ensemble) [15+’]
…until… (version for violin) [~20’]
variations, after W. Ostermann (version for trombone) [10’]
1972
Sinophony II, 8-track electroacoustic [25’]
Stochroma, piano [→∞]
1971
Textmusic, version 1 after a text by C. Barlow, piano [20’] Cheltrovype (German Tschelpowisch), cello, trombone, vibraphone, 3 percussion [22’]
1970
Sinophony I, 4-track electroacoustic [11’]
1968
Haiku, baritone, clarinet [4’]
Three Owen Songs, baritone, piano [8’]
Twelve Variations, piano, 2-track fixed media [4’]
Zwei Gesänge, mezzo-soprano, piano [4’]
1967
Canonzetta, violin, piano [3’]
Missa Brevis pro Unitatis Ecclesiæ «ut sint unum», mixed chorus [2’]
Serenade, flute, oboe, clarinet, bassoon, string quartet, double bass [16’]
1966
Eleven Pieces, clarinet, bassoon [4’]
Piano Suite, piano [5’]
String Quartet No. 2 [15’]
Trio, mandolin, violin, piano [3’]
1965
Divertimento for Winds, oboe, clarinet, French horn, bassoon [6’]
Piano Concerto No. 1 in D, piano, orchestra [33’]
1961
String Quartet No. 1 in G [15’]